The gallery will be open Wednesday through Friday 21st - 23rd and the 28th - 30th, from Noon to 5pm. We will be closed the 24th, 25th, 31st & the 1st. Then back to regular hours starting on Wednesday, January 4th.
Home is a show about collectivism over individualism. It’s about the holisticism of every seemingly small gesture, action, object, and experience that makes up who we are and what we love. Home is about looking to the natural world for guidance. It’s about leaving and coming back. Home is about deepening and broadening roots. Home is about community. It’s about collaboration and celebration. Home is about working with what we’ve got and showing gratitude for those gifts. It’s about abundance, not scarcity. Home is open arms and a soft landing. Welcome Home.
Artist Bio:
Jackie Barry is a multimedia artist, forester, and wildland firefighter based in Longmont, Colorado. They graduated from The University of the Arts in Philadelphia in 2011 with a degree in printmaking/book arts and are currently finishing their Masters of Natural Resources degree from Oregon State University focusing on forestry and fire ecology. They are passionate about using art as a conduit to connect the public to the natural world.
To view the price list and see which artworks are available for purchase please click here.
Please keep in mind that depending on when you inquire about purchasing an artwork, it may have already been sold, but not been updated on this page as sold.
Opening Reception – Saturday, September 23rd, 7:00pm – 11:00pm
The wide range of objects and images that artist Drew Austin creates, repurposes, or reimagines, seem to shimmer, sparkle, reflect, or refract, offering each viewer sensorial experiences that either demonstrate or allude to the ephemeral, the dynamic.
Austin’s creative inspiration stems from a deep appreciation of the phenomenological. His emphasis is not solely on the art object itself, but is presented in tandem, or entangled with the individual’s experience and interaction with it, in real time, across time. Light, shadow, layering, translucency, and reflection, are all integral to the appreciation and understanding of the work. His art evokes personal, intimate acts of seeing, truly looking at the world, in awe and wonder. The moments, minutes, and memories, that he encapsulates within his work are expressively potent, yet remain mercurial, evanescent.
OPENING RECEPTION: Saturday, September 23rd, 2023 7pm – 11pm.
ONGOING EXHIBITION: Saturday, September 23rd, through Saturday, November 4th, 2023.
All Leon exhibitions are FREE and open to the public.
In Japanese, there is a word for the sensation of light dappling through leaves and branches. The word itself, Komorebi, is quite beautiful and the very idea of a concept wrapped into a single string of letters makes me think about how the English language lacks a word to describe such gorgeous phenomena. Our culture–and the very boundaries of our language–fail to make space for this form of noticing, so what does this say about our discomfort with impermanence, with the middle spaces between light and dark?
Enter the domain of In-Dwelling. An unfolding of peaceful wonder, full of both radiance and shadow. A space nestling personal narratives, private experiences, and the kinds of emotional content typically too nuanced for language. A world of objects created and found and expanded and questioned. Something has or is dwelling here, waiting, welcoming, returning, honoring, repeating its cycles.
I find and work alongside objects, often considering it a collaboration. Gravitating towards objects that speak through their very nature, hold potential, or vibrate as an energy beacon at thrift stores and vintage malls. I’m wholly interested in the object sometimes, only adding a small mark, changing the orientation, or creating an object’s companion. These objects act as vessels of our own reflections, inviting us to think about ourselves and our experiences through the lens of this other physical thing.
I consider light and shadow fluid objects—creatures that go out of their way to find “home” or solace, whatever the situation, with their physical bodies (much like I do as a human being). Reaching into every crevice of the world, light and shadow articulate the land, connect and obscure boundaries, and define each object in our three-dimensional reality. This fluidity and intangibility define and concretize; illuminate the presence of a thing that might in the same instance reveal yourself reflected within it.
For me, the inhabitant objects located within In-Dwelling—the lamp, drawings, found objects, created objects, and you—are all welcome artifacts in the interplay of light and shadow. It’s all a chance to explore, even outside of our language, what it is to be between worlds, to be impermanent, and to leave a mark. It’s in this personal reflection where collective resiliency and understanding are built.
BIO
Drew Austin (he/him, b.1996) is an interdisciplinary artist and curator living and working in Denver, CO. He grew up in Great Falls, Montana, and attended the Rocky Mountain College of Art + Design, in Denver, which he graduated from in 2017 with his BFA as Valedictorian.
Austin is the Curator of Visual Arts at The Dairy Arts Center in Boulder, CO, where he exhibits the work of artists from all across the country (and sometimes the world) in their four rotating gallery spaces. He previously worked as the Exhibitions Curator for ReCreative Denver as well as put together independent curatorial projects in spaces such as Redline Denver, The Temple Artist Studios, The Digital Armory, and Alto Gallery.
Portrayed primarily through drawing, sculpture, and light-based installation, Austin’s work functions as a conduit for understanding and comprehension of everyday things— mundane situations, domestic space, slow growth, and light—both large and small in a human-dominated world.
A key critical component of Sitterud’s work is an uncompromising, yet playful interrogation of authentic individual identity, navigating within the established structures and pervasive tropes of traditional American Western culture. Sitterud deconstructs identity, illuminating both the internal and external conflicts that arise when one is expected to operate within an iconic culture that can be both dismissive and disparaging toward those who do not conform to its romanticized, albeit restrictive, ideology.
Guest attendees to the opening reception are encouraged to don their favorite Western attire, and be sure to bring plenty of single dollar bills so they can tip local Go-go Dancer, Connie Love, who will be performing several times throughout the evening.
An artist talk with a live music performance by Sitterud will also take place at some point during the run of the exhibition. Specific details will follow.
OPENING RECEPTION: Saturday, August 5th, 2023 7pm – 11pm.
ONGOING EXHIBITION: Saturday, August 5th, through Saturday, September 16th, 2023. All Leon exhibitions are FREE and open to the public.
GALLERY HOURS:
Wednesday – Friday 10am – 6pm
Saturday – Sunday 12pm-5pm
Artist Statement:
From, Dawn is inspired by both Walter Benjamin’s theory of mechanical reproduction and my own historical narrative of the land into which I grew up on – Capitol Reef Desert in Emery County, Utah, the ancestral lands of the Timpanogos, and Núu-agha-tʉvʉ-pʉ̱ (Ute) Nations. It is a unique landscape; the type of land that draws the attention of the parallels of time, trauma, existence, and perspectives and has led me to find myself fixated on the American West, specifically the Western Cowboy boot, an American symbol of heroism with a surprising and hidden history of queerness.
From, Dawn consists of large scale paintings of deconstructed cowboy boots using flat plains of color suggested by Josef Albers color theory. This show includes a collection of minimalist oil landscape paintings, performance video art, and a series of cast ceramic cowboy boots as an installation. Through the replication of the cowboy boot, the work considers the juxtaposition of the binary through color association of the effeminate displayed on the masculine icon of the American west, the cowboy boot.
The pink painted ceramic boots are replicas of my grandfather’s last pair of black leather church boots. His identity was formed by watching American cowboy movies, and internalizing the ideals of hard work, individual freedom and masculinity which he held onto until his very last breath. He grew up on the farm and he died there – pursuing the American dream. As a child, I soaked up this hyper masculinity, while at the same time, was bombarded with images of the women in my family taking on the quintessential role of the woman in the kitchen. This was a perpetuated narrative that neither fit nor was accepting of my queer identity and expression. Yet, I am still nostalgic for the Utah desert.
Artist Bio:
Kenzie Sitterud, Born in Cleveland Utah in 1986, currently works and resides in Denver, CO. Sitterud is a multimedia artist who works primarily in large-scale installation, commercial art, and public art environments. Sitterud’s installations are designed to create the same dysphoric environment experienced by the queer community who exist in a society that is not designed for and is not inclusive of them. This body of work contains The Bathroom, The Kitchen Table, The Wardrobe, The Powder Room and The Bedroom.
Kenzie’s work has been featured at the Denver Art Museum, Boulder Museum of Contemporary Art, Meow Wolf Denver, Breck Create, Platteforum, and various galleries around the art districts of Denver. Sitterud was an Artist-in-Residence at RedLine Contemporary Art Center from 2017-2019. While at Redline, they were a Colorado Creative Industries and NEAA recipient for the 2017 Career Advancement Grant. Sitterud received a 2019 P.S. You are Here Grant through Denver Arts & Venues to complete a commissioned public project for Design Workshop Foundation.
Throughout the month of July, Leon is honored to be collaborating with Middle East Images Foundation, to present to our Denver community, an exhibition of images from the civil rights protests that took place in Iran last fall.
To learn more about the details of these protests, please view this insightful Frontline episode from January of this year.
Mahsa-Jina Amini, a 22-year-old Iranian Kurdish woman, was beaten to death in the custody of the so-called “morality police,” for the crime of having what they considered an improper hijab, on September 16, 2022, in Tehran. Her murder sparked a revolutionary uprising that is now known the world over as the Woman Life Freedom movement. Led by women and Gen Z, the intersectional movement has brought together Iranians from across various gender, age, socioeconomic, labor, and ethnic groups, both inside the country and in diaspora to fight against the Islamic Revolution and its brutal patriarchal and ideological totalitarianism.
According to official reports by human rights organizations, more than five-hundred people have been brutally killed in the past few months, and thousands (according to some sources, as many as fourteen thousand at one point) arrested, many of whom still remain in detention. Several men have been executed for the sole crime of participating in protests.
An unprecedented fight that has lasted for more than ten months in various shapes and forms, the Woman Life Freedom uprising has already victoriously shifted the foundations of the Iranian society, even if it has not (yet) led to the toppling down of the Islamic Republic regime.
The photographs showcased in the “Woman, Life, Freedom” exhibition at Leon Gallery, brought to you in collaboration with the Middle East Images Foundation, document the bravery of the protestors through the lens of seven young photographers based in Iran, who for security reasons need to remain anonymous. Risking their lives and freedoms to be present at these historical moments, these young women and men bring to us unique images of a people standing up for their right to their bodies and minds with all their might.
People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran,Iran.People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran, Iran on September 22, 2022.
Mahsa Amini, a woman who died after being arrested by the Islamic republic’s “morality police”, in Tehran on September 19, 2022. – Fresh protests broke out on September 19 in Iran over the death of a young woman who had been arrested by the “morality police” that enforces a strict dress code, local media reported. Public anger has grown since authorities on Friday announced the death of Mahsa Amini, 22, in a hospital after three days in a coma, following her arrest by Tehran’s morality police during a visit to the capital on September 13.People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran, Iran on September 22, 2022.
Mahsa Amini, a woman who died after being arrested by the Islamic republic’s “morality police”, in Tehran on September 19, 2022. – Fresh protests broke out on September 19 in Iran over the death of a young woman who had been arrested by the “morality police” that enforces a strict dress code, local media reported. Public anger has grown since authorities on Friday announced the death of Mahsa Amini, 22, in a hospital after three days in a coma, following her arrest by Tehran’s morality police during a visit to the capital on September 13.
People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran, Iran on September 21, 2022.
Mahsa Amini, a woman who died after being arrested by the Islamic republic’s “morality police”, in Tehran on September 19, 2022. – Fresh protests broke out on September 19 in Iran over the death of a young woman who had been arrested by the “morality police” that enforces a strict dress code, local media reported. Public anger has grown since authorities on Friday announced the death of Mahsa Amini, 22, in a hospital after three days in a coma, following her arrest by Tehran’s morality police during a visit to the capital on September 13.People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran,Iran.People protesting and showing victory sign, standing behind a brick barricade, with flames of burning fire next to it, on the streets of Mahabad city in the West Azerbaijan province, Iran. As a result of a severe crackdown between protesters and the Islamic Republic’s armed forces.
The nationwide protests started after the death of Mahsa Amini, a 22-year-old girl who died under the custody of the Islamic Republic’s Morality Police on September 16th, 2022 in Tehran, Iran.People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran, Iran on October 1st 2022.
Thousands of Iranians have taken to the streets over the last two weeks to protest the death of Mahsa Amini, a 22-year-old woman who had been detained by the morality police in the capital of Tehran for allegedly wearing her mandatory Islamic veil too loosely.People gather during a protest for Mahsa Amini, who died after being arrested by morality police allegedly not complying with strict dress code in Tehran, Iran on October 1st 2022.
Thousands of Iranians have taken to the streets over the last two weeks to protest the death of Mahsa Amini, a 22-year-old woman who had been detained by the morality police in the capital of Tehran for allegedly wearing her mandatory Islamic veil too loosely.A woman holding the ?Woman, Life, Freedom? sign, with the fallen street sign ?Jomhouri Eslami? (Islamic Republic) street in the background with tear gas in the air.October 1st 2022. Tehran, Iran.
A Centrum of Cosmic Energies is a collection of cyanotypes on cotton using myriad media formats such as color pencil, graphite, pastel and salt crystals. These works depict both the auras of cosmic rays and plants alike. The radiating energy surrounding both forms draw upon the connection between tiny galaxies and the plant life on earth. Throughout the series, scale is manipulated to draw upon the relationship between the micro and macro realms.
Ceramic pieces are also depicting an occurrence of energy in outer space, ancient fossils, remnants from the sea or a discovered extra terrestrial terrain.
Inspired by the natural world, the sciences, such as images from the Hubble and James Webb telescope and microscopy imagery, I am creating imaginary realms that are spiritual by nature where each mark in my works is like a sound or a note that is capturing the invisible about the unknown and the world we live reminding us what Carl Sagan has describe a pale blue dot.
BIO: Christine Nguyen was born and raised in California and currently resides in Aurora, Colorado. She is a lover of animals, plants, and nature.
She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. Exhibitions of her work have been shown nationally and internationally. Her works can be found in various collections such as the J.Paul Getty Museum Department of Photographs, Getty Research Institute, Armand Hammer Museum, Grunwald Center for Graphic Art, Los Angeles World Airport’s Collection, Cedars- Sinai in Los Angeles, CA; Burger Collection, Hong Kong; The Royal Melbourne Institute of Technology (RMIT), Hanoi, Vietnam; Long Beach Museum of Art, Kleefeld Contemporary Art Museum in Long Beach, California; Cleveland Clinic, Cleveland, Ohio; and Microsoft Collection.
She is a 2022-2024 Redline Artist in Residence in Denver, CO. She has been an Artist In Residence at Montello Foundation, NV ; Pacific Bonsai Museum, WA; Gyeongju Int. Residency Art Festa 2018, South Korea; Theodore Payne Foundation, CA, BaikArt with Cemeti Art House, Indonesia; U.S Dept. of Interior- BLM Eastern interior AIR, Alaska; Wildfjords (WFAR), Iceland; Montalvo Art Center, CA; Tamarind Institute, NM; and the Headlands Center for the Arts, CA.
The photographer known for her compelling portraits of Denver’s counterculture, Shadows Gather, will unveil her second solo show as part of Denver’s greater Month of Photography. Shadow Banned will be on display March 11th thru April 22nd at Leon Art Gallery and celebrates all that our culture keeps in the shadows–with a special artist reception Saturday, March 11th, from 7-11pm.
Shadow Banned showcases photos not seen anywhere else, photos that have been banned, flagged, and removed from social media. This forbidden collection raises questions about censorship faced heavily by marginalized groups: the policing of female bodies, the algorithmic flagging of everyday imagery in the LGBTQIA sphere, and the disproportionate censorship of people of color. For many Americans, social media is an overfiltered, glamourous representation of themselves and the lives they wish they lived. Shadow Banned is a raw, unapologetic peek into lives lived after dark.
On display along with a collection of over a thousand original Instax images, Shadow will also display her most iconic banned images, blown up and enlarged in a way that captures the details. From the scratches, lipstick smudges, and dirt from the alley, these photos capture a historic moment in time.
Artist’s Bio:
Often compared to Nan Goldin and Andy Warhol, Shadows Gather is a photography project that documents the alternative nightlife scene and the colorful individuals that thrive in it. Based out of Denver, Colorado, Shadow is a photographer who uses non-conventional techniques, such as pairing a Fuji Instax Neo Classic Mini with lighting from an iPhone flashlight, to create striking instant photographs that preserve and celebrate underground culture. In her photos, you’ll find energetic portraits from a mixture of scenes: gutter punks, drag artists, and creatures of the night.
Shadow has directly experienced the growth and cultural changes that have occurred in Denver and has focused her work on ensuring that the visual narrative of her subjects remains as the city continues to evolve.She celebrates the beauty of those on the cultural fringes and provides a sense of community and a safe haven to folks that have been deemed misfits by mainstream culture.
Following the project launch in March of 2019, Shadow has become a staple in music venues, nightclubs, and bars across Denver, Austin, Texas, and Los Angeles. This is her second solo exhibition.
OPENING RECEPTION – Saturday, January 28th, 2023 – 6pm – 9pm Exhibition on view January 28th through March 4th, 2023
Bring your ear buds to listen to audio recordings of Confidence Omenai’s poems.
You can access audio recordings of each of the poems by scrolling down and clicking on the various links below.
Confidence Omenai’s “Did You Die Though?” is a mixed media art installation that will be on display at Leon Gallery from January 28, 2023 – March 4, 2023. You are invited to leave offerings at the community altar to honor the dead. Please bring your earphones to fully engage with each piece. Limited supply will be available.
“Did You Die Though?” is an exhortation to raise the dead. An invitation to grave robbery. An indaba embracing the ceremony of radical self-compassion and resurrection.”- Confidence Omenai
“This installation is a container for the forensic examination of ritual death as self-actualization. A crime scene as chrysalis. A graveyard or cocoon. A garden of a girl planted in a gruesome place, who answered death’s call, stole the keys to hell and bloomed into a field of free. Here is a road map through the wilds of divine alchemy. Here lie the slain selves of one Black woman, exhumed for the edification of all who fear dying. Did You Die Though is the stone rolled away to reveal She has risen.” – Confidence Omenai
About: Confidence Omenai, is a Nigerian American multimedia artist, poet, playwright, voice actor and breaker of chains. Her work explores death, rebirth, collective healing using the arts, martyrdom on the altar of motherhood and marriage. Confidence is an activist who specializes in intergenerational healing. She encourages radical self-interrogation across the nation. Confidence is a Program Coordinator for Collective Healing Through Art, TEDx Mile High Host, Speaker, Pink Door Fellow, and Oklahoma State University Alum and graduate student.
HOURS:
Wednesday – Friday 10 pm – 6pm Saturday – Sunday 12pm – 5pm And by appointment.
Additional Engagement Opportunities at Leon
February 8, 2023, 6-8:00pm Honoring Our Ancestors: Curated Story Time
Confidence Omenai will host a legendary story time. We will pour libations for the ancestors. Speak their names. Participants will have up to 4 minutes to share the name, favorite memory, or life lesson from one of their ancestors. Signup sheet will be posted online at noon on the day of. Only 15 spots available.
“If I have seen further it is by standing on the shoulders of Giants.” -Isaac Newton”
February 22, 2023, 6-8:00pm Bury Our Dead
A collective healing circle facilitated by Confidence Omenai. We will create brave space for us to leave behind that which no longer serves our highest good. Complete a writing exercise and learn how to call on our individual ancestors for assistance.
March 1, 2023, 3-8:00pm Ekphrastic Writing Workshop & Book Signing
Confidence Omenai will lead the writing workshop from 3:30-4:15pm. At 5pm. Workshop participants will be given the opportunity to read the ekphrastic poem written during the workshop. Immediately after, there will be a reading from the book “Did You Die Though?” Confidence will be present to sign copies until 6:00pm.
“I am deliberate and afraid of nothing.” – Audre Lord
As a prominent creative force within the local Denver community, Joshua Ware’s work inhabitis numerous spaces, from public scuplture, to intimate literary readings, to published articles on exhibitions and profiles on other local artists. His involvement within the community is both generous and impactful.
Leon is honored to present Ware’s first solo exhibition with our gallery space, which will include a variety of sculptural work that he has been developing and creating over the past several years. “And You May Find Yourself Becoming Oblique In An Age of Mass Extinction”, will showcase the artist’s explorations into form, texture, and color, which collectively create a unique and authentic lexicon of sculptural expression.
Artist Bio:
Joshua Ware is an artist and writer who was born in Cleveland, Ohio. He earned his doctorate in English Literature and Creative Writing from the University of Nebraska and lives in Denver, Colorado. His work has shown both nationally and internationally, and his public sculptures are on display in Denver, Colorado Springs, and Grand Junction. Ware regularly writes art reviews—most recently for Southwest Contemporary—and is the author of Homage to Homage to Homage to Creeley and Unwanted Invention / Vargtimmen.
Artist Statement:
‘[Objects] are radically mysterious…this thing I can see right here is ungraspable. It’s totally vivid, yet I can’t get a grip on it.
-Timothy Morton, “And You May Find Yourself Living in an Age of Mass Extinction”
Moments of disorientation are vital. They are bodily experiences that throw the world up or throw the body from its ground…Disorientation could be described here as the ‘becoming oblique’ of the world, a becoming that is at once interior and exterior.
Object-Oriented Ontology argues that objects are unknowable to a subject. An artwork, for instance, is a mystery even to the artist who created it: something ungraspable that fosters an ambiguous space composed of both seduction and repulsion. While uncertain, though, the object opens itself up to the world and asks us to approach it with flexibility and humility, thus producing an ethics of (ecological) attunement toward the world.
Queer Phenomenology suggests that, rather than orienting ourselves to the world and the objects within it, we allow ourselves to become disoriented. In other words, to unsettle ourselves and our bodies in order to approach an object differently. To untether ourselves from our expectations. To lose our place. To fail in our orientations so our interactions with an object become strange. To become oblique in both body and mind.
Looking at the objects in this exhibit—some of which I created years ago, others just weeks ago—I am struck by how strange they appear to me now, when considered retrospectively. What I thought I knew of them, I must concede, was more a projection of my own desires. My own ideology. Rather than offer an overarching statement predicated on certainty or opinion, I present you (and myself) with a challenge: let these objects remain unknown; instead, let us offer them solidarity: a communing through aesthetic and embodied experience. In doing so, I would like that we let ourselves disorient from our old ways of seeing, knowing, critiquing, and experiencing an artwork. Be lost. Be uncertain. Embrace an ecological ethics in the Anthropocene that acknowledges objects’ unknown essence and our own uncertainties. Become oblique.
Photo credit: Amanda Tipton Photography
You can read Ray Rinaldi’s Denver Post review of this exhibition here.
Leon is thrilled to welcome back bunny M for their second solo exhibition, ‘the butterfly armoire’. The exhibition will feature 54 paintings celebrating the beauty of butterflies and their designation as symbols of the psyche. 50 of the paintings will have a corresponding 1/1 nft. The physical paintings, as well as the nfts, can be purchased independently but are offered at a discount when a bonded pair is kept together.
The following week, on Thursday, October 20th, Leon will be hosting an nft workshop with IndieDAO (indiedao.xyz), a collective of tech aficionados who offer professional services for app design, development, illustration, NFT projects and much more. The evening will feature a discussion on the real potential for nfts within the art market, and a walkthrough of instructions explaining how collectors new to nfts can set up their own online wallet and begin collecting.
You can browse the available NFTs on OpenSea by clicking here
Artist Bio: bunny M is a painter, fine artist, and muralist. An enduring figure in urban art, M’s paintings have been featured in numerous art books, publications, galleries, and on walls both domestically and abroad for over 13 years.
Artist Statement: ‘the butterfly armoire’ is inspired by an innocent childhood memory about trying to own beauty itself and unintentionally destroying it instead.
Friday, October 7, 2022 10:00 AM – Sunday, October 9, 2022 5:00 PM
Where
Leon Gallery, 1112 E 17th Ave, Denver, CO 80218
Event Description
Denverite is proud to present the photography of visual journalist Kevin Beaty at Leon Gallery this October. “Denverite Presents Denverites” will showcase portraits of Denverites made by Beaty in his six years working for the news site.
The show, which will run October 7-9, features dozens of portraits of the people who make Denver. The collection is a community of portraiture that brings our shared humanity into a gallery environment. Individually, each photograph represents one story. Together, they demonstrate the diversity of culture and experience that makes Denver dynamic and unique.
Beaty has been Denverite’s visual journalist since it was founded in 2016. His curiosity for the people and stories of Denver has garnered him numerous journalism awards, including four first-place awards from the Society of Professional Journalists Top of the Rockies Awards in 2022.
“Denverite Presents Denverites” is free and open to the public October 7-9 at Leon Gallery at 1112 E 17th Avenue in Denver. The gallery’s hours are 10 a.m.-7 p.m. on Friday, 12-6 p.m. on Saturday and 12-5 p.m. on Sunday.
