THE DEEP END
November 19th, 2016 – January 8th, 2017
Something doesn’t feel right –
TSUNAMI DREAMS, EARTHQUAKE VIBES,
COMETS AND UFO’S, INSTINCT AND PARANOIA
a million tiny clues…
OMG youtube tells me that the world is ending
and I love believing it.
IF I DON’T KNOW THEN SOMEBODY MUST!?!?
I feel small, powerless, and out-of-the-loop.
DEFINITELY in over my head –
Death doesn’t feel so abstract or distant anymore now that I’ve
crawled on my knees into the depths of a doomsday bunker. Yes, literally on my knees into a bunker. FIGHT TO LIVE??? – I decline.
I’m 33 now – SO WAS JESUS!!!
#feelingthedays / #fillingthedays
Don’t believe lil ol’ me, BELIEVE GOOGLE:
Planet X Nibiru
Our Beloved Ancient Anunnaki Fathers who art in the heavens
.gov is hiding the incoming planets with chemtrails
“I’m a DNA designed gold slave”
meanwhile… <<insert meaningful content here>>
Taking bold strides as he approaches his mid-thirties, Jonathan Saiz continues to push the boundaries of his practice, rigorously exploring the potential of the materials he employs in his work. His paintings have been featured in Juxtapoz Magazine’s “New Contemporary” book from 2014, Elle Decor in 2015, and most recently in Veranda. His collaborative product project, “The Fountain Tarot” in which he produced 79 original paintings for each card within the deck, has been featured in Vogue twice, in both 2015 and 2016.
His latest exhibition reaffirms the impressive volume of his artistic output, coming on the heels of a 2012 showing at Gildar Gallery in Denver, a 2013 exhibition at Alpha Gallery in London, and an appearance at the 2015 LA Art Fair, via Leon Gallery.
Photo Credit: Amanda Tipton (unless otherwise noted)